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BEGIN:VEVENT
CLASS:PUBLIC
CREATED:2007079T153458Z
DESCRIPTION;LANGUAGE=en-us:Richard Becker (CSU Northridge) discusses the nature of the narrator and authorial self-insertions in comics, like those of Lee and Kirby, Gerber, and Morrison, and the schism between schools of storytelling in which the writer is very visible and another in which the writer seeks to be completely invisible. John A. Walsh (Indiana University) examines Grant Morrison’s Doom Patrol stories and their punctuation by appearances of and allusions to similarly fracture, damaged, and outcast artists and works and asks whether the members of the Doom Patrol are artists or heroes and if there’s a difference. Jason Mott (UNC-Wilmington) uncovers the history of comic book superheroes and traces their evolution from serving purely as devices of metaphor for poets to becoming the subject of extended development and progression by award-winning poets such as Brian Dietrich in Krypton Nights and Jeannine Hall in Becoming the Villainess.
DTEND:20070728T193000Z
DTSTAMP:2007079T153458Z
DTSTART:20070728T180000Z
LAST-MODIFIED:2007079T153458Z
PRIORITY:5
SEQUENCE:0
SUMMARY;LANGUAGE=en-us:Comics Arts Conference Session #11: High Art and Low
LOCATION;LANGUAGE=en-us:Room 30AB
UID:20070728-130000-00000000000-0254
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